Affichage des articles dont le libellé est Graphic novel. Afficher tous les articles
Affichage des articles dont le libellé est Graphic novel. Afficher tous les articles

mercredi 6 octobre 2010

# Once upon a Place. Haunted Houses & Imaginary Cities

picture: La Fievre d'Urbicande by François Schuiten & Benoît Peeters

From October 12th to October 14th, will be held in Lisbon a very interesting symposium entitled Once upon a Place. Haunted Houses & Imaginary Cities.

Guest speakers include:
- Alberto Manguel (Author: The Dictionary of Imaginary Places, A History of Reading, among others)
- Colin Fournier (Bartlett School of Architecture, London)
- François Schuiten & Benoît Peeters (graphic novels authors)
- Kazys Varnelis (Columbia Univ., NY)
- Ângela Ferreira (artist)
- Gonçalo M. Tavares (author/writer)

The program is attractive with three full days of literary stimulation !
Thanks Pedro for reminding me about it.

jeudi 30 septembre 2010

# William Heath Robinson's mechanical apparatuses

William Heath Robinson is a cartoonist from the first part of the XXth century who spent most of his time to invent complicated mechanical apparatuses in order to achieve a single action. The absurdity that emerges from those machines is, in my opinion, a pretty good expression of technophilia in its ambiguity, most of the time fascinating but also sometimes sustaining its existence by its own contemplation...
It makes me recall Hernan Diaz Alonzo's lecture's conclusion at the Pompidou Center, one year ago, that was questioning the hyper sophistication of the Coyote's apparatuses in order to catch the road runner. This sophistication is so planed and contemplated that it eventually fails but rather than condemning it, Diaz Alonzo claims that this failure should be thought as part of the work.

William Heath Robinson is regularly quoted by Peter Cook and CJ Lim as a potential reference for their work and their architectural studios in schools.





samedi 24 avril 2010

# La Qu... by Marc-Antoine Mathieu

Still following the adventures of Julius Corentin Acquefacques, prisoner of the dreams (see previous article), here is another graphic novel by the extremely talented Marc-Antoine Mathieu. This one is entitled La Qu... and has unfortunately not been translated in English (apparently only Dead Memory has been). This novel is once again extremely Kafkaian, but also borrows a small part of its narration to one of the best (and not so known) short story by James Graham Ballard called Billennium, which depicts an overpopulated world in which each citizen has the right on 3.5 square meters. The first image above also illustrate the influence of Marc-Antoine Mathieu since Lars von Trier's Dogville has been released ten years after La Qu...'s publication in 1993.
An important precision here, I tried not to spoil the novel by including the best frames of it, so you can still be fascinated while reading it for the first time.





samedi 20 mars 2010

# (UN)WALL /// Dead Memory by Marc-Antoine Mathieu

Marc-Antoine Mathieu is in my opinion the most interesting French graphic novels author. He succeeds in all of his work to re-create an absolute bureaucratic Kafkaian society with humor and intelligence. The graphic novel Dead Memory (yes it has been translated in English !)depicts a city that is subjected to the anonymous creation of huge walls blocking off its streets and composing a totally new labyrinthine space outside and inside the buildings.
One could recall Terry Gilliam's Brazil (or in a less trivial way, Tzahal's siege of Nablus in 2002), when seing the comission of wall breaker who create some new streets within people's appartments.
I think it is appropriate here to re-insert the text I translated from Auguste Blanqui who describe a guerrilla plan for French XIXth century revolutions:
« L’attaque repoussée, il [l’officier] reprend et presse sans relâche la construction de la barricade en dépit des interruptions. Au besoin, des renforts arrivent.
Cette besogne terminée, on se met en communication avec les deux barricades latérales, en perçant les gros murs qui séparent les maisons situées sur le front de défense. La même opération s’exécute simultanément, dans les maisons des deux cotés de la rue barricadée jusqu'à son extrémité, puis en retour, a droite et a gauche, le long de la rue parallèle au front de défense, en arrière.
Les ouvertures sont pratiquées au premier et au dernier étage, afin d’avoir deux routes ; le travail se poursuit à la fois dans quatre directions.
Tous les ilots ou patés de maisons appartenant aux rues barricadées doivent être perces dans leur pourtour, de manière que les combattants puissent entrer et sortir par la rue parallèle de derrière, hors de la vue et de la portée de l’ennemi. »
« L’intérieur des ilots consiste généralement en cours et jardins. On pourrait ouvrir des communications à travers ces espaces, séparés d’ordinaire par de faibles murs. La chose sera même indispensable sur les ponts que leur importance ou leur situation spéciale exposent aux attaques les plus sérieuses.
Il sera donc utile d’organiser des compagnies d’ouvriers non-combattants, maçons, charpentiers, etc., pour exécuter les travaux conjointement avec l’infanterie.
Lorsque, sur le front de défense, une maison est plus particulièrement menacée, on démolit l’escalier du rez-de-chaussée, et l’on pratique des ouvertures dans les planchers des diverses chambres du premier étage afin de tirer sur les soldats qui envahiraient le rez-de-chaussée pour y attacher des pétards. L’eau bouillante jouerait aussi un rôle utile dans cette circonstance.
Si l’attaque embrasse une grande étendue de front, on coupe les escaliers et on perce les planchers dans toutes les maisons exposées. En règle générale, lorsque le temps et les autres travaux de défense plus urgents le permettent, il faut détruire l’escalier du rez-de-chaussée dans toutes les maisons de l’ilot sauf une, à l’endroit de la rue le moins exposé. »
Auguste Blanqui. Esquisse de la marche a suivre dans une prise d’armes a Paris. Maintenant il faut des armes. La fabrique 2006

”When the attack has been pushed back, he [the leader] comes back and pushes relentlessly the barricade construction despite interruptions. If needed reinforcement arrives.
This labor done, one put the two lateral barricades in communication by piercing the thick walls that separate houses situated on the defense’s front. The same operation is being executed simultaneously, in the houses on the two sides of the barricaded street until its extremity, then backwards, on the right and on the left, along the parallel street, on the defense’s front and on the back.
Openings have to be practiced on the first [ndt: first floor in Europe is second floor in US] and last floor in order to obtain two ways; work is being achieved in the same way in the four directions.
All the houses’ blocks belonging to the barricaded streets should be pierced in their perimeter, in a way that fighters are able to enter or exit by the backward parallel street, out of sight and out of reach from the enemy.”
”The interior of the blocks generally consists in courtyards and gardens. One could open communications between those spaces, usually separated by weak walls. It should be even compulsory on the bridges whose importance and specific situations expose them to the most serious attacks.
It would be therefore useful to organize companies of non-fighters workers, masons, carpenters, etc. in order to jointly achieve work with the infantry.
When, on the defense’s front, a house is more particularly being threatened, one demolished the ground floor’s staircase and one achieves opening in the various rooms’ floor of the first [second] floor in order to shoot the potential soldiers who would invade the ground floor to apply some bombs. Boiling water can also play an important role in this circumstance.
If the attack embraces an important extent of the front, one cuts the staircases and pierces the floors in all the exposed houses. As a general rule, when the time and the other defense works more urgent allow it, one should destroy the ground floor’ staircase in all the block’s houses except in the one the less exposed. ”






vendredi 13 novembre 2009

# Graphic novels' imaginary cities (II)

Following a reader's suggestion, here would be my European (French and Belgian) graphic novel list developing an interesting and beautiful vision of the city. (You can obviously add Moebius who was already in yesterday list). For people not knowing Marc-Antoine Mathieu I definitely recommend to read his graphic novels which create an incredibly brilliant Kafkaian atmosphere.
Here is the list:

- Marc Antoine Mathieu: Memoire morte (Delcourt 2004)
- Enki Bilal: Le Monstre: 32 Decembre (Casterman 2006)
- Jean-Claude Mézières: Mon cinquieme element (Dargaux 1998)
- Nesmo & Morvan: Ronces: Racines electriques (Les Humanoides associes 2005)
- Francois Schuiten & Benoit Peeters: Les Cites obscures: La fievre d'Urbicande (Casterman 1993)




jeudi 12 novembre 2009

# Graphic novels and Comics' imaginary cities

I just found this video (the one below) which tries to elaborate a "ranking" of the cities vision developed through graphic novels and comics. Obviously a lot of others could have been quoted here but the final list is already pretty good...
(starting from above)
- Moebius & Jodorowsky: L'Incal
- Various authors: Gotham City (Batman)
- Eddie Campbell: London (From Hell)
- Chris Ware: Chicago (Jimmy Corrigan: the smartest kid on Earth)
-
Pat Mills, John Wagner and Carlos Ezquerra: Mega City One (Judge Dredd)

found on AMNP and AJ






AJ Top Five: Comic Book Cities from The Architects' Journal on Vimeo.