I wanted to destroy everything beautiful I'd never have. Burn the Amazon rain forests. Pump chlorofluorocarbons straight up to gobble the ozone. Open the dump valves on supertankers and uncap offshore oil wells. I wanted to kill all the fish I couldn't afford to eat, and smother the French beaches I'd never see.
I wanted the whole world to hit bottom.
Pounding that kid, I really wanted o put a bullet between the eyes of every endangered panda that wouldn't screw to save it species and every whale or dolphin that gave up and ran itself aground.I wanted the whole world to hit bottom.
Don't think of this as extinction. Think of this as downsizing.
For thousand of years, human beings had screwed up and trashed and capped on this planet, and now history expected me to clean up after everyone. I have to wash out and flatten my soup cans. And account for every drop of used motor oil.
And I have to foot the bill for nuclear waste and buried gasoline tanks and landfilled toxic sludge dumped a generation before I was born.
I held the face of mister angel like a baby or a football in the crook of my arm and bashed him with my knuckles, bashed him until his teeth broke through his lips. Bashed him with my elbow after that until he fell through my arms into a heap at my feet. Until the skin was pounded thin across his cheekbones and turned back.
I wanted to breathe smoke.
Birds and deer are a silly luxury, and all the fish should be floating.
I wanted to burn the Louvre. I'd do the Elgin Marbles with a sledgehammer and wipe my ass with the Mona Lisa. This is my world, now.
This is my world, and those ancient people are dead.
It was at breakfast this morning that Tyler invented Project Mayhem.
We wanted to blast the world free of history.
We were eating breakfast in the house on Paper Street, and Tyler said, picture yourself planting radishes and seed potatoes on the fifteenth green of a forgotten golf course.
You'll hunt elk through the damp canyon forests around the ruins of Rockefeller Center, and dig clams next to the skeleton of the Space Needle leaning at a forty-five-degree angle. We'll paint the skyscrapers with huge totem faces and goblin tikis, and every evening what's left of mankind will retreat to empty zoos and lock itself in cages as protection against bears and big cats and wolves that pace and watch us from outside the cage bars at night.
And I have to foot the bill for nuclear waste and buried gasoline tanks and landfilled toxic sludge dumped a generation before I was born.
I held the face of mister angel like a baby or a football in the crook of my arm and bashed him with my knuckles, bashed him until his teeth broke through his lips. Bashed him with my elbow after that until he fell through my arms into a heap at my feet. Until the skin was pounded thin across his cheekbones and turned back.
I wanted to breathe smoke.
Birds and deer are a silly luxury, and all the fish should be floating.
I wanted to burn the Louvre. I'd do the Elgin Marbles with a sledgehammer and wipe my ass with the Mona Lisa. This is my world, now.
This is my world, and those ancient people are dead.
It was at breakfast this morning that Tyler invented Project Mayhem.
We wanted to blast the world free of history.
We were eating breakfast in the house on Paper Street, and Tyler said, picture yourself planting radishes and seed potatoes on the fifteenth green of a forgotten golf course.
You'll hunt elk through the damp canyon forests around the ruins of Rockefeller Center, and dig clams next to the skeleton of the Space Needle leaning at a forty-five-degree angle. We'll paint the skyscrapers with huge totem faces and goblin tikis, and every evening what's left of mankind will retreat to empty zoos and lock itself in cages as protection against bears and big cats and wolves that pace and watch us from outside the cage bars at night.
Chuck Palahniuk. Fight Club. Vintage books 2006
picture: Francis Lawrence's I am legend
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