
The Library of Babel by Jorge Luis Borges in The Garden of Forking Paths
The universe (which others call the Library) is composed of an indefinite  and perhaps infinite number of hexagonal galleries, with vast air shafts  between, surrounded by very low railings.  From any of the hexagons one can  see, interminably, the upper and lower floors.  The distribution of the  galleries is invariable.  Twenty shelves, five long shelves per side, cover all the sides except two; their height, which is the distance from floor to ceiling, scarcely exceeds that of a normal bookcase.  One of the free sides leads to a narrow hallway which opens onto another gallery, identical to  the first and to all the rest.  To the left and right of the hallway there  are two very small closets.  In the first, one may sleep standing up; in  the other, satisfy one's fecal necessities.  Also through here passes a  spiral stairway, which sinks abysmally and soars upwards to remote  distances.  In the hallway there is a mirror which faithfully duplicates  all appearances.  Men usually infer from this mirror that the Library is not infinite (if it were, why this illusory duplication?); I prefer to dream  that its polished surfaces represent and promise the infinite ... Light is  provided by some spherical fruit which bear the name of lamps.  There are  two, transversally placed, in each hexagon.  The light they emit is  insufficient, incessant.        Like all men of the Library, I have traveled in my youth; I have wandered  in search of a book, perhaps the catalogue of catalogues; now that my eyes  can hardly decipher what I write, I am preparing to die just a few leagues  from the hexagon in which I was born.  Once I am dead, there will be no  lack of pious hands to throw me over the railing; my grave will be the  fathomless air; my body will sink endlessly and decay and dissolve in the  wind generated by the fall, which is infinite.  I say that the Library is  unending.  The idealists argue that the hexagonal rooms are a necessary  form of absolute space or, at least, of our intuition of space.  They  reason that a triangular or pentagonal room is inconceivable.  (The mystics claim that their ecstasy reveals to them a circular chamber containing a  great circular book, whose spine is continuous and which follows the  complete circle of the walls; but their testimony is suspect; their words,  obscure.  This cyclical book is God.)  Let it suffice now for me to repeat  the classic dictum: The Library is a sphere whose exact center is any  one of its hexagons and whose circumference is inaccessible.        There are five shelves for each of the hexagon's walls; each shelf contains thirty-five books of uniform format; each book is of four hundred and ten  pages; each page, of forty lines, each line, of some eighty letters which  are black in color.  There are also letters on the spine of each book; these letters do not indicate or prefigure what the pages will say.  I know that  this incoherence at one time seemed mysterious.  Before summarizing the  solution (whose discovery, in spite of its tragic projections, is perhaps  the capital fact in history) I wish to recall a few axioms.        First:  The Library exists ab aeterno.  This truth, whose immediate  corollary is the future eternity of the world, cannot be placed in doubt by any reasonable mind.  Man, the imperfect librarian, may be the product of  chance or of malevolent demiurgi; the universe, with its elegant endowment  of shelves, of enigmatical volumes, of inexhaustible stairways for the  traveler and latrines for the seated librarian, can only be the work of a  god.  To perceive the distance between the divine and the human, it is  enough to compare these crude wavering symbols which my fallible hand  scrawls on the cover of a book, with the organic letters inside: punctual,  delicate, perfectly black, inimitably symmetrical.        Second:  The orthographical symbols are twenty-five in  number.  (1) This finding made it possible, three hundred years ago, to formulate a  general theory of the Library and solve satisfactorily the problem which no conjecture had deciphered:  the formless and chaotic nature of almost all  the books.  One which my father saw in a hexagon on circuit fifteen  ninety-four was made up of the letters MCV, perversely repeated from the  first line to the last.  Another (very much consulted in this area) is a  mere labyrinth of letters, but the next-to-last page says Oh time thy  pyramids.  This much is already known:  for every sensible line of  straightforward statement, there are leagues of senseless cacophonies,  verbal jumbles and incoherences.  (I know of an uncouth region whose  librarians repudiate the vain and superstitious custom of finding a meaning in books and equate it with that of finding a meaning in dreams or in the  chaotic lines of one's palm ... They admit that the inventors of this  writing imitated the twenty-five natural symbols, but maintain that this  application is accidental and that the books signify nothing in themselves. This dictum, we shall see, is not entirely fallacious.)        For a long time it was believed that these impenetrable books corresponded  to past or remote languages.  It is true that the most ancient men, the  first librarians, used a language quite different from the one we now  speak; it is true that a few miles to the right the tongue is dialectical  and that ninety floors farther up, it is incomprehensible.  All this, I  repeat, is true, but four hundred and ten pages of inalterable MCV's cannot correspond to any language, no matter how dialectical or rudimentary it may be.  Some insinuated that each letter could influence the following one  and that the value of MCV in the third line of page 71 was not the one the  same series may have in another position on another page, but this vague  thesis did not prevail.  Others thought of cryptographs; generally, this  conjecture has been accepted, though not in the sense in which it was  formulated by its originators.        Five hundred years ago, the chief of an upper hexagon (2)  came upon a book as confusing as the others, but which had nearly two pages of homogeneous lines.  He showed his find to a wandering decoder who told  him the lines were written in Portuguese; others said they were Yiddish.   Within a century, the language was established:  a Samoyedic Lithuanian  dialect of Guarani, with classical Arabian inflections.  The content was  also deciphered:  some notions of combinative analysis, illustrated with  examples of variations with unlimited repetition.  These examples made it  possible for a librarian of genius to discover the fundamental law of the  Library.  This thinker observed that all the books, no matter how diverse  they might be, are made up of the same elements:  the space, the period, the comma, the twenty-two letters of the alphabet.  He also alleged a fact  which travelers have confirmed:  In the vast Library there are no two  identical books.  From these two incontrovertible premises he deduced  that the Library is total and that its shelves register all the possible  combinations of the twenty-odd orthographical symbols (a number which,  though extremely vast, is not infinite):  Everything:  the minutely  detailed history of the future, the archangels' autobiographies, the  faithful catalogues of the Library, thousands and thousands of false  catalogues, the demonstration of the fallacy of those catalogues, the  demonstration of the fallacy of the true catalogue, the Gnostic gospel of  Basilides, the commentary on that gospel, the commentary on the commentary  on that gospel, the true story of your death, the translation of every book in all languages, the interpolations of every book in all books.        When it was proclaimed that the Library contained all books, the first  impression was one of extravagant happiness.  All men felt themselves to be the masters of an intact and secret treasure.  There was no personal or  world problem whose eloquent solution did not exist in some hexagon.  The  universe was justified, the universe suddenly usurped the unlimited  dimensions of hope.  At that time a great deal was said about the  Vindications:  books of apology and prophecy which vindicated for all time  the acts of every man in the universe and retained prodigious arcana for  his future.  Thousands of the greedy abandoned their sweet native hexagons  and rushed up the stairways, urged on by the vain intention of finding  their Vindication.  These pilgrims disputed in the narrow corridors,  proferred dark curses, strangled each other on the divine stairways, flung  the deceptive books into the air shafts, met their death cast down in a  similar fashion by the inhabitants of remote regions.  Others went mad ...  The Vindications exist (I have seen two which refer to persons of the  future, to persons who are perhaps not imaginary) but the searchers did not remember that the possibility of a man's finding his Vindication, or some  treacherous variation thereof, can be computed as zero.        At that time it was also hoped that a clarification of humanity's basic  mysteries -- the origin of the Library and of time -- might be found.  It  is verisimilar that these grave mysteries could be explained in words:  if  the language of philosophers is not sufficient, the multiform Library will  have produced the unprecedented language required, with its vocabularies  and grammars.  For four centuries now men have exhausted the hexagons ...  There are official searchers, inquisitors.  I have seen them in the  performance of their function:  they always arrive extremely tired from  their journeys; they speak of a broken stairway which almost killed them;  they talk with the librarian of galleries and stairs; sometimes they pick  up the nearest volume and leaf through it, looking for infamous words.   Obviously, no one expects to discover anything.        As was natural, this inordinate hope was followed by an excessive  depression.  The certitude that some shelf in some hexagon held precious  books and that these precious books were inaccessible, seemed almost  intolerable.  A blasphemous sect suggested that the searches should cease  and that all men should juggle letters and symbols until they constructed,  by an improbable gift of chance, these canonical books.  The authorities  were obliged to issue severe orders.  The sect disappeared, but in my  childhood I have seen old men who, for long periods of time, would hide  in the latrines with some metal disks in a forbidden dice cup and feebly  mimic the divine disorder.        Others, inversely, believed that it was fundamental to eliminate useless  works.  They invaded the hexagons, showed credentials which were not always false, leafed through a volume with displeasure and condemned whole  shelves:  their hygienic, ascetic furor caused the senseless perdition of  millions of books.  Their name is execrated, but those who deplore the  ``treasures'' destroyed by this frenzy neglect two notable facts.  One:   the Library is so enormous that any reduction of human origin is  infinitesimal.  The other:  every copy is unique, irreplaceable, but (since the Library is total) there are always several hundred thousand imperfect  facsimiles:  works which differ only in a letter or a comma.  Counter to  general opinion, I venture to suppose that the consequences of the  Purifiers' depredations have been exaggerated by the horror these fanatics  produced.  They were urged on by the delirium of trying to reach the books  in the Crimson Hexagon:  books whose format is smaller than usual,  all-powerful, illustrated and magical.        We also know of another superstition of that time:  that of the Man of the  Book.  On some shelf in some hexagon (men reasoned) there must exist a book which is the formula and perfect compendium of all the rest:  some  librarian has gone through it and he is analogous to a god.  In the  language of this zone vestiges of this remote functionary's cult still  persist.  Many wandered in search of Him.  For a century they have  exhausted in vain the most varied areas.  How could one locate the  venerated and secret hexagon which housed Him?  Someone proposed a  regressive method:  To locate book A, consult first book B which indicates  A's position; to locate book B, consult first a book C, and so on to  infinity ... In adventures such as these, I have squandered and wasted my  years.  It does not seem unlikely to me that there is a total book on some  shelf of the universe; (3) I pray to the unknown gods that a man -- just one, even though it were  thousands of years ago! -- may have examined and read it.  If honor and  wisdom and happiness are not for me, let them be for others.  Let heaven  exist, though my place be in hell.  Let me be outraged and annihilated, but for one instant, in one being, let Your enormous Library be justified.  The impious maintain that nonsense is normal in the Library and that the  reasonable (and even humble and pure coherence) is an almost miraculous  exception.  They speak (I know) of the ``feverish Library whose chance  volumes are constantly in danger of changing into others and affirm, negate and confuse everything like a delirious divinity.''  These words, which not only denounce the disorder but exemplify it as well, notoriously prove  their authors' abominable taste and desperate ignorance.  In truth, the  Library includes all verbal structures, all variations permitted by the  twenty-five orthographical symbols, but not a single example of absolute  nonsense.  It is useless to observe that the best volume of the many  hexagons under my administration is entitled The Combed Thunderclap  and another The Plaster Cramp and another Axaxaxas mlö.   These phrases, at first glance incoherent, can no doubt be justified in a  cryptographical or allegorical manner; such a justification is verbal and,  ex hypothesi, already figures in the Library.  I cannot combine some characters        dhcmrlchtdj          which the divine Library has not foreseen and which in one of its secret  tongues do not contain a terrible meaning.  No one can articulate a  syllable which is not filled with tenderness and fear, which is not, in one of these languages, the powerful name of a god.  To speak is to fall into  tautology.  This wordy and useless epistle already exists in one of the  thirty volumes of the five shelves of one of the innumerable hexagons --  and its refutation as well.  (An n number of possible languages use  the same vocabulary; in some of them, the symbol library allows the  correct definition a ubiquitous and lasting system of hexagonal  galleries, but library is bread or pyramid or  anything else, and these seven words which define it have another value.   You who read me, are You sure of understanding my language?)        The methodical task of writing distracts me from the present state of men.  The certitude that everything has been written negates us or turns us into  phantoms.  I know of districts in which the young men prostrate themselves  before books and kiss their pages in a barbarous manner, but they do not  know how to decipher a single letter.  Epidemics, heretical conflicts,  peregrinations which inevitably degenerate into banditry, have decimated  the population.  I believe I have mentioned suicides, more and more  frequent with the years.  Perhaps my old age and fearfulness deceive me,  but I suspect that the human species -- the unique species -- is about to  be extinguished, but the Library will endure:  illuminated, solitary,  infinite, perfectly motionless, equipped with precious volumes, useless,  incorruptible, secret.        I have just written the word ``infinite.''  I have not interpolated this  adjective out of rhetorical habit; I say that it is not illogical to think  that the world is infinite.  Those who judge it to be limited postulate  that in remote places the corridors and stairways and hexagons can  conceivably come to an end -- which is absurd.  Those who imagine it to be  without limit forget that the possible number of books does have such a  limit.  I venture to suggest this solution to the ancient problem:  The  Library is unlimited and cyclical.  If an eternal traveler were to  cross it in any direction, after centuries he would see that the same  volumes were repeated in the same disorder (which, thus repeated, would be  an order:  the Order).  My solitude is gladdened by this elegant hope. (4)        
Translated by J. E. I.
Translated by J. E. I.
Notes
 
 
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Where is the image from? LP
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